diff options
Diffstat (limited to 'data/books.json')
| -rw-r--r-- | data/books.json | 20 |
1 files changed, 10 insertions, 10 deletions
diff --git a/data/books.json b/data/books.json index 7637caf..cddf052 100644 --- a/data/books.json +++ b/data/books.json @@ -218,7 +218,7 @@ "isbn": "9783453529717", "language": "de", "coverLocal": "images/covers/20.jpg", - "summary": "A science fiction novel with political themes suggested by 'regent.' The story may explore the end of an era of governance, perhaps across interstellar scales, dealing with succession, legitimacy, and the transition of power in future societies." + "summary": "For over two thousand years, the Endurium—an alliance of all human worlds—has fought against the alien Ayunn. When the five-hundred-year-old Regent is murdered during a meeting with representatives from the rebellious Splinter Worlds, the balance of power threatens to collapse. The Ayunn see their chance to finally destroy the leaderless and weakened humanity.\n\nXavis V Xavius is a Chronist, a keeper and interpreter of humanity's collective knowledge and history. He becomes the First Chronist of the Endurium, responsible for the vast network of information that connects human worlds through the Mesh. When the Regent dies, Xavius is sent to the Splinter Worlds to investigate the murder. But an ambush throws him into the hands of the rebels, and soon both the Endurium and the Ayunn are hunting him.\n\nHumanity in this era has transformed. There are Vivis—the Living—who through microcomputers called Swarms have developed abilities beyond normal human capacity. There are Morti—those who have embraced a different path. The Splittermenschen of the rebellious worlds, the mysterious Changers, and the ever-present threat of the Ayunn create a complex political landscape. Xavius navigates this with his inner assistant Chronass, whose conspiracy theories would make Fox Mulder proud.\n\nAs Xavius investigates, he discovers that his Chronist knowledge is far less comprehensive than he believed. Not everything is as it seems, and many supposed truths are built on lies. He visits exotic worlds including the planet Bluestone with its unique and terrifying ecosystem. His journey transforms him, forcing him to question everything he thought he knew about the Endurium, the war, and himself.\n\nThe novel combines political intrigue with cosmic scope as Xavius uncovers the truth behind the Regent's murder. The resolution is both surprising and thought-provoking, examining the nature of truth and power in human civilization. Brandhorst creates a fully realized future society while maintaining thriller pacing, delivering what many consider one of his finest standalone novels." }, { "id": 21, @@ -229,7 +229,7 @@ "isbn": "9783453315440", "language": "de", "coverLocal": "images/covers/21.jpg", - "summary": "A novel whose title suggests a cosmic-scale habitat or ecosystem. The 'cosmotope' may be an artificial environment of enormous scale, exploring themes of ecology, self-contained worlds, and the engineering required to sustain life across vast distances." + "summary": "In the far future, the galaxy is ruled by intelligent alien civilizations united in the Kompetenz—and humanity stands on the brink of extinction. Only about 14,000 humans remain, scattered across the cosmos, rendered infertile by ancient genetic damage and surviving only through cloning. Each person's consciousness transfers to a new clone body when the old one dies, creating serial immortality tracked by numbers after their names.\n\nCorwain 18 Tallmaster attends his own funeral—the burial of Corwain 17. He is a Pazifikator, a peacemaker who resolves conflicts on behalf of the Kompetenz. Living with his companion Solace, a half-woman half-bird being of considerable power, Corwain enjoys quiet retirement between assignments. Then he is summoned to investigate a crisis: something vast has entered the galaxy.\n\nThe Kosmotop is a vessel larger than multiple planetary systems combined. It appears without warning, absorbs entire cities and worlds, and leaves devastation in its wake. During a mission to investigate, Corwain is falsely accused of murder. Stripped of his status and pursued by both the Kompetenz and those who would exploit the Kosmotop's power, he must clear his name while uncovering what the world-ship truly represents.\n\nCorwain's investigation leads him inside the Kosmotop itself, a journey through a space that defies conventional physics and logic. The vessel contains mysteries spanning millions of years, connected to the ancient builders who created it. The hostile Incera species, who have hunted humanity for millennia, see an opportunity to complete their genocide. Meanwhile, factions within the Kompetenz pursue their own agendas.\n\nThe novel builds toward revelations about the Kosmotop's purpose and the fate of its creators. Set in the same universe as Kinder der Ewigkeit but tens of thousands of years later, Das Kosmotop explores themes of survival, identity, and what makes existence meaningful when death has become optional. The resolution sees Corwain transformed, choosing a different kind of life than endless repetition." }, { "id": 22, @@ -240,7 +240,7 @@ "isbn": "9783492703994", "language": "de", "coverLocal": "images/covers/22.jpg", - "summary": "Named after the mythological figure who flew too close to the sun, this novel likely explores themes of ambition, hubris, and the dangers of reaching beyond human limitations. A cautionary tale updated for the era of space exploration and advanced technology." + "summary": "On a world in the Tau Ceti system, more than twelve light-years from Earth, an advanced human civilization has developed. But the people there are not free—they live under the strict observation of the Regulators, a powerful alien species that oversees humanity's development. Society is stratified into economic classes: Holders who control the corporations, Creditors, Debitors, and Balanced citizens whose primary purpose is consumption.\n\nJamo Jamis Takeder was a member of the government council who championed a secret project called Ikarus—humanity's hope for freedom from the Regulators. Then Takeder was murdered. Two hours later, a copy of him awakens. As a Kopiat—a consciousness duplicate created from backup—he has twenty days to find his killer according to a testamentary agreement. But two days of memories are missing, and much of his past is fragmented.\n\nThe Kopiat Takeder must navigate a world where he is no longer fully human, with fewer rights than even the Debitors he once looked down upon. He doesn't know whom to trust, who speaks truth, or what he was doing in the days before his death. Every investigation reveals new lies, new players, and the word 'Ikarus' keeps appearing—a project he may have known everything about but now cannot remember.\n\nBrandhorst constructs a dystopian future that extrapolates current economic inequality to extreme conclusions, combined with cyberpunk elements and corporate intrigue. The social stratification mirrors financial terminology—humans defined by their economic status. Beneath this surface layer, even the powerful Holders are merely pawns in a cosmic chess game orchestrated by the Regulators and forces beyond them.\n\nThe resolution involves multiple revelations about the nature of the Regulators, the purpose of Ikarus, and Takeder's own role in events he can no longer remember. True to its mythological namesake, the novel explores hubris and the price of reaching for freedom. The ending offers transformation rather than simple triumph, typical of Brandhorst's philosophical approach to science fiction." }, { "id": 23, @@ -262,7 +262,7 @@ "isbn": "9783492703598", "language": "de", "coverLocal": "images/covers/24.jpg", - "summary": "The first book in the Omniversum series. The title suggests exploration of concepts beyond our universe—perhaps multiverse theory or higher-dimensional spaces. Brandhorst's characteristic blend of hard SF concepts with accessible storytelling creates an entry point to a new cosmic narrative." + "summary": "Omni is a union of fourteen super-civilizations that watch over the Milky Way, guiding the development of younger species while maintaining cosmic order. They appointed six humans as Travelers—beings granted extended life and tasked with executing Omni's will. Aurelius, born on the legendary Earth ten thousand years ago, is one of these Travelers. Now he receives his final mission.\n\nA mysterious artifact lies aboard the Kuritania, a freighter stranded in the Sprawl—the chaotic hyperspatial realm between normal space. The artifact is an Omni-machine of immense power, capable of producing various Omni devices. A shadow organization called the Agency has already located the wreck and wants the artifact for themselves. To activate it, they need a Traveler.\n\nFormer Agent Forrester lives in hiding on a remote planet with his daughter Zinnober, refugees from his dangerous past. When the Agency finds them and threatens Zinnober, Forrester has no choice but to accept a mission: capture the Traveler Aurelius. Father and daughter set out on their ship the Sonnenwind, beginning a journey that will entangle them with forces beyond their understanding.\n\nThe three storylines—Aurelius racing to secure the artifact, Forrester pursuing him, and the Agency's ruthless leader Benedikt pressing forward with his own plans—converge in escalating conflict. The artifact's defense systems activate catastrophically, threatening an entire planet. Aurelius, weakened and hunted, must rely on unlikely allies. Forrester and Zinnober find themselves transforming from hunters to something else entirely.\n\nOmni won the Kurd-Laßwitz-Preis for best novel. It establishes the Omniversum—a setting spanning billions of years of galactic history where ancient civilizations guide younger ones, machine intelligences form their own dynasties, and humanity occupies a small but significant place. The novel combines space opera adventure with questions about power, responsibility, and what it means to serve forces far greater than yourself." }, { "id": 25, @@ -273,7 +273,7 @@ "isbn": "9783492705066", "language": "de", "coverLocal": "images/covers/25.jpg", - "summary": "The second Omniversum novel presents a mystery spanning cosmic scales. The enigmatic 'Arkonadia' suggests an alien civilization or artifact whose secrets drive the plot. The novel continues Brandhorst's exploration of humanity's place in a vast, mysterious universe." + "summary": "Jasper and his daughter Jasmin are among the few chosen ones who serve Omni, the union of powerful civilizations that watches over the Milky Way. Their new assignment takes them to the distant planet Arkonadia, where a mystery has persisted for thousands of years: ships approaching the world are pulled from hyperspace and stranded, unable to leave.\n\nArkonadia suffers from a phenomenon called Nerox that occurs every 453 years. When Nerox strikes, all advanced technology fails, plunging the entire planet into chaos and technological standstill. No one knows the origin of these effects. The civilization that has developed on Arkonadia has learned to anticipate the Nerox and prepare for it, but they cannot prevent it or understand why it happens.\n\nJasper and Jasmin's mission is to solve the riddle of Arkonadia—to discover why ships become trapped and what causes the Nerox. Their investigation leads them through the planet's layered society and history, uncovering connections to events a billion years in the past. The mystery is older than most civilizations in the galaxy, older perhaps than Omni itself.\n\nThe novel returns to the Omniversum established in Omni, featuring Forrester and Zinnober (now Jasper and Jasmin) as Travelers in Omni's service. Their relationship as father and daughter provides emotional grounding amid cosmic revelations. The planet Arkonadia becomes a character itself, its strange physics and desperate inhabitants creating an atmosphere of creeping mystery.\n\nThe resolution reveals connections between Arkonadia's anomalies and the fundamental nature of Omni and the super-civilizations that comprise it. The secret that Jasper and Jasmin uncover has implications for everything they thought they knew about the universe's structure. Brandhorst uses the mystery framework to explore questions about cosmic purpose and the nature of the powers that shape galactic history." }, { "id": 26, @@ -361,7 +361,7 @@ "isbn": "9783492707176", "language": "de", "coverLocal": "images/covers/33.jpg", - "summary": "An eclipse represents the blocking of light, suggesting themes of darkness, transition, or revelation. The novel may explore a cosmic event, a societal collapse, or a moment of dramatic change when something vital is obscured or endangered." + "summary": "An eclipse—a moment when one celestial body passes into the shadow of another—serves as the central metaphor for a novel about hidden truths, blocked light, and revelations that emerge from darkness. Brandhorst constructs a scenario where humanity confronts something that has always been there but never seen.\n\nThe protagonist discovers evidence of a presence that has influenced human history without detection—beings or forces operating in the shadow of perception. The eclipse of the title may be literal (an astronomical event that reveals something previously hidden) or metaphorical (a moment when comfortable illusions are blocked and uncomfortable truths become visible).\n\nBrandhorst's characteristic world-building creates a near-future setting where advanced technology coexists with ancient mysteries. The investigation into the hidden presence forces characters to question the foundations of their reality. What they find challenges not only scientific understanding but philosophical assumptions about humanity's place in the cosmos.\n\nThe narrative structure likely alternates between the immediate crisis and revelations about the deep history behind it. Brandhorst often uses this technique—showing events in the present while gradually unveiling backstory that recontextualizes everything. The eclipse becomes a turning point after which nothing can return to the way it was.\n\nEklipse explores themes of surveillance, hidden power, and the moment of revelation that changes everything. The title suggests both the astronomical phenomenon and the sense of being eclipsed—overshadowed by something greater. The resolution probably offers transformation rather than simple answers, characteristic of Brandhorst's philosophical science fiction." }, { "id": 34, @@ -372,7 +372,7 @@ "isbn": "9783492707350", "language": "de", "coverLocal": "images/covers/34.jpg", - "summary": "A novel about the lure of the infinite—perhaps a signal from deep space, an irresistible drive to explore beyond all boundaries, or contact with something truly cosmic in scale. The 'call' suggests both communication and compulsion." + "summary": "As the last immortal human in the Milky Way, Aron serves the Moy—an ancient super-civilization that has watched over the cosmos for eternal ages. His mission: protect the cultural heritage of underdeveloped civilizations from the Blenders, a mysterious people dedicated to sowing discord among inexperienced cultures. It's a delicate task requiring patience measured in centuries.\n\nAron's new assignment takes him to the planet Mulkain, where several Moy emissaries have vanished without trace. What he discovers there shakes everything he believed he knew about the cosmos, the Moy, and his own purpose. The investigation leads him to question not just the immediate mystery but the fundamental nature of the civilization he serves.\n\nDriven by these revelations, Aron embarks on a cosmic journey to understand why the great human civilizations of the past fell. The Moy have always been guardians, but guardians of what? And for what purpose? The answers may lie in the deep history of the Omniversum—events spanning billions of years that shaped the current order of things.\n\nRuf der Unendlichkeit is the third novel in the Omniversum series, following Omni and Das Arkonadia-Rätsel. Some readers noted that this volume dramatically transforms the setting established in earlier books—the powerful Omni and its super-civilizations face changes that retrospectively alter everything that came before. The scope expands from galactic to truly cosmic.\n\nThe novel's title—'Call of Infinity'—suggests the pull of questions too large for easy answers. Why do civilizations rise and fall? What role do the ancient powers play? And what happens when a servant of those powers begins to doubt? Brandhorst uses Aron's immortal perspective to examine meaning and purpose across timescales that dwarf individual existence." }, { "id": 35, @@ -383,7 +383,7 @@ "isbn": "9783596707430", "language": "de", "coverLocal": "images/covers/35.jpg", - "summary": "A survival thriller premise: a world where breathable air becomes scarce or disappears. The novel explores environmental catastrophe, resource scarcity, and human adaptation when the most basic necessity of life is threatened." + "summary": "The title declares the premise starkly: a world without oxygen. Brandhorst constructs a scenario where Earth's breathable atmosphere has been compromised, creating an existential crisis that forces humanity to adapt or die. The novel likely explores both the immediate survival challenges and the longer-term implications for human civilization.\n\nThe catastrophe may be sudden (an event that rapidly depletes oxygen) or gradual (a slow degradation that humanity failed to prevent in time). Either way, survivors must find ways to generate or conserve breathable air while society transforms under pressure. Some may retreat to sealed habitats; others may seek technological solutions; still others may pursue more radical adaptations.\n\nBrandhorst typically grounds his science fiction in character-driven narratives. Oxygen probably follows specific individuals or families as they navigate the crisis—their struggles, choices, and transformations serving as windows into the larger catastrophe. The personal and the global interweave as private decisions ripple outward.\n\nThe novel likely examines how society reorganizes when a resource previously taken for granted becomes precious. Oxygen is the ultimate necessity—without it, death comes in minutes. What happens to human values, social structures, and relationships when every breath must be earned? Brandhorst's philosophical bent suggests exploration of these questions.\n\nThe subtitle 'World Without Oxygen' frames the novel as both survival thriller and thought experiment. What does it mean to be human when the very air conspires against existence? How do we maintain hope, connection, and purpose under impossible conditions? These are the questions Brandhorst characteristically poses through his speculative scenarios." }, { "id": 36, @@ -394,7 +394,7 @@ "isbn": "9783492707695", "language": "de", "coverLocal": "images/covers/36.jpg", - "summary": "The Greek letter Zeta suggests either a designation (perhaps a planet, station, or AI) or the concept of the 'last' (being the 6th letter, but often used to denote something final or extreme). A recent work in Brandhorst's continuing exploration of cosmic themes." + "summary": "Zeta—the sixth letter of the Greek alphabet, often used to designate the sixth element in a sequence or a particularly significant variable. In Brandhorst's novel, it likely refers to something crucial: a project, a location, a being, or a concept that sits at the center of the narrative.\n\nThe novel probably takes place in Brandhorst's characteristic far-future setting where humanity has spread across the stars, encountered other intelligences, and developed technologies that blur the line between biology and machine. 'Zeta' as a designation suggests something experimental, classified, or designated for special significance.\n\nBrandhorst's protagonists typically face situations where personal stakes connect to cosmic consequences. The protagonist of Zeta likely discovers something about the Zeta project/entity/location that transforms their understanding and places them at the center of events with galactic implications. The investigation becomes a journey through layers of hidden truth.\n\nThe novel explores themes consistent with Brandhorst's body of work: the nature of consciousness, the relationship between individual choice and cosmic forces, the meaning of existence across vast timescales. Whatever 'Zeta' refers to, it probably connects to these deeper questions rather than serving merely as a plot MacGuffin.\n\nZeta represents Brandhorst's continued exploration of science fiction's philosophical possibilities. The Greek letter carries mathematical and scientific connotations—precision, classification, the ordering of chaos—that likely resonate through the narrative. What is classified as 'Zeta' and why? The answer drives both plot and meaning." }, { "id": 37, @@ -405,7 +405,7 @@ "isbn": "9783492706797", "language": "de", "coverLocal": "images/covers/37.jpg", - "summary": "A novel whose title invokes infinity itself. Likely an exploration of boundless space, endless time, or consciousness without limits. Brandhorst returns to his favored themes of cosmic scale and humanity's relationship with the infinite." + "summary": "Infinitia—the name evokes infinity, the boundless and endless. Brandhorst's latest novel likely tackles the ultimate cosmic questions: What lies beyond all limits? What does it mean to confront the truly infinite? How does finite human consciousness relate to that which has no end?\n\nThe novel probably presents a scenario where characters encounter or discover something genuinely infinite—a space, a time, an intelligence, or a possibility that exceeds all previous conceptions. This could be a physical discovery (a region where normal limits don't apply), a technological breakthrough (access to infinite resources or capabilities), or a philosophical revelation (understanding that transforms perception of reality).\n\nBrandhorst's skill lies in making abstract concepts concrete through character experience. Infinitia probably follows individuals who must grapple with infinity in personal terms—what it means for their lives, relationships, and sense of self when confronted with the unlimited. The infinite can be terrifying or liberating; likely, Brandhorst explores both aspects.\n\nThe narrative may span vast scales of time and space, as befitting its subject. Infinity cannot be contained in a single moment or location; a story about it must somehow convey that scope while maintaining human-scale emotional engagement. This is the challenge Brandhorst has often tackled in his cosmic space operas.\n\nAs one of his most recent works, Infinitia likely represents the culmination of themes Brandhorst has explored throughout his career: consciousness and its limits, time and its meaning, the relationship between individual existence and cosmic vastness. The title promises a meditation on the ultimate questions, wrapped in the adventure and wonder that characterize his best science fiction." }, { "id": 38, |
